Laen Hershler's PhD proposal defence

Laen Hershler’s PhD proposal defence

Laen Hershler will be defending his dissertation proposal on Wednesday, July 24 from 9:00AM to 10:30AM online via Zoom.


Supervisory Committee: 
Supervisor: Dr. George Belliveau
Committee Members: Drs. Rita Irwin, Lynn Fels, Denise Kenney


Dissertation Title: 

A Post-Qualitative Paradigm for Research-based Theater:
An Inquiry Performed in Three Moments

Abstract:

In this thesis project proposal, I examine the ontological shift from conventional qualitative paradigms to a post-qualitative (St. Pierre, 2017) and performative (Bolt, 2016) approach within Research-based Theatre (RbT). Utilizing concept-guided inquiry and diffractive analysis (Barad, 2014), I explore three key stop moments (Applebaum, 1995; Fels, 2012) from my practice as an artist-researcher in the making of RbT plays. This project investigates how post-humanist, post-structural, and new materialist thought influence a new paradigm for artistic researcher self-inquiry (Østern, 2023). This approach disrupts the binaries, structures, and foundational assumptions of conventional humanist qualitative research, opening new pathways for dynamic, in-between spaces of inquiry within RbT. The dissertation will integrate scholarly writing, multimedia, and live theatrical performance, drawing inspiration from a/r/tography (Irwin et al., 2024), to perform and enact the theoretical provocations it explores.

Life-Long Learnings: ‘Pedagogy’, Research-Based Theatre and the Ongoing Performance of Teachers’ Narratives

Invited Research Talk by Dr. Chris Summers, University of Melbourne

Date: July 5, 2024  
Time: 1 PM
Location: Multipurpose Room, Ponderosa Commons North, PCN 2012

Stories of teachers, schools and relationships with students are common in popular culture and research. What does it mean to return to one personal narrative of learning (and failing) to teach in a high-pressure program, for almost a decade in a variety of contexts? Focusing on his award-winning play, ‘Pedagogy’, Dr. Summers considers how presentations and workshops of the play – with mainstream audiences, teachers, education faculties and academics / researchers – have allowed for new explorations of meaning, new impacts with workshop participants, and new reckonings with teachers’ professional and personal identities. He argues that unlike conventional theatre, which ‘starts and ends’ and often only has a single season of a few weeks, research-based theatre offers exciting potentialities for practitioner-researchers to re-apply – and re-evaluate their relationship with their work, with others – again and again.

Bio: Dr. Chris Summers is a Lecturer in Arts Education (Drama) and Co-Director of the Research-based Theatre Lab at the Faculty of Education, University of Melbourne, Australia. He is a multi-award-winning playwright, former Writer-in-Residence at Melbourne Theatre Company 2018-2020, and recipient of a Dyason Fellowship 2024. Chris’s research incorporates research-based theatre, autoethnography, critical theory and education to explore the intersection of arts-based methods and social justice. He teaches and coordinates across the Masters of Teaching (Secondary), Masters of Education and undergraduate Breadth subjects. Formerly, Chris practiced law at Sydney’s HIV/AIDS Legal Centre and was a secondary teacher in low-socioeconomic high schools.